On the way home from Peru, we had a 2 day stay in Mexico City. There were a few sites I wanted to see, but for some reason I was a little nervous about being there. The Metropolis that is Mexico is home to over 21 million people. It is the largest city in North America, so you can see why it would be a little intimidating! That said, we managed the metro, and navigating the bus system to everything we wanted to see.
Obviously the city is very old which brings along a lot of interesting, dingy, smelly places. The um, how to explain…aroma? of the City was olfactory assault in its highest art form. On certain streets, just walking around brought on an onslaught of odour. Seriously, I can’t even explain it. Surprisingly, the metro system was actually fairly clean. (At least we didn’t see the same amount of human feces on train cars in Mexico as we did in Paris!) There were sanitation people sweeping platforms and stairways 24/7.
The touts were inescapable, but at least humourous on the metro. People would hop on trying to sell literally everything and anything. We were offered crossword puzzle books, ancient computer repair manuals, rulers, CD’s, and my personal favourite–back scratchers.
The Virgin appeared to Juan Diego again, and told him to pick flowers and gather them in his apron. Though it was winter, the flowers grew at his feet, he gathered them and went to the Bishop. An image of the Virgin Mary was imprinted on the apron. Thus, providing the miracle the Bishop wanted and the rest is history.
Now for science: The cloth has been examined with infrared photography, ultraviolet imaging, and stereo-microscopy. The earliest analysis shows that no under-drawing to rough out the image and no over-varnish on the image. The latter 2 show several layers beneath the current painting with all sorts of different pigments consistent with artist’s materials used in the 1500’s. There are also cracks, flaking of paint and sketch lines that would make it seem that the image was sketched before being painted.
Even with all the scientific analysis to create doubts of the miracle, the tilma still has some pretty impressive attributes. Thanks Wikipedia for the info.
The tilma has maintained its structural integrity over nearly 500 years, while replicas normally last only about 15 years before suffering degradation; it repaired itself with no external help after a 1791 ammonia spill that did considerable damage, and in 1926 an anarchist bomb destroyed the altar, but left the icon unharmed.
In 1929 and 1951 photographers found a figure reflected in the Virgin’s eyes; upon inspection they said that the reflection was tripled in what is called the Purkinje effect, commonly found in human eyes. An ophthalmologist, Dr. Jose Aste Tonsmann, later enlarged an image of the Virgin’s eyes by 2500x and found not only the aforementioned single figure, but images of all the witnesses present when the tilma was first revealed before Zumaragga in 1531, plus a small family group of mother, father, and a group of children, in the center of the Virgin’s eyes, fourteen persons in all.
Numerous Catholic websites repeat an unsourced claim that in 1936 biochemist Richard Kuhn analyzed a sample of the fabric and announced that the pigments used were from no known source, whether animal, mineral or vegetable. Dr. Philip Serna Callahan, who photographed the icon under infrared light, discovered from his photographs that portions of the face, hands, robe, and mantle had been painted in one step, with no sketches or corrections and no visible brush strokes.
I have no doubt that there is paint on the image–whether the miraculous image itself has been painted upon over the years, or painted completely is debatable, but you have to admit that the eyeball thing is a little bizarre.
ps: Our Lady of Guadalupe is the patron saint of Mexico. Juan Diego was also made a saint in 2002. He’s the first Mexican to achieve sainthood.